# On the Border
> [!noteinfo]
> Source file of: [On the Border \| Marco Noris — Visual artist](https://marconoris.com/en/on-the-border/)
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![[../images/artworks/toponimos/2022-enfrontera-01.webp|Border toponyms, 2022, mixed media on paper, 150 × 200 cm.]]
![[../images/artworks/toponimos/2022-enfrontera-02.jpg|Border toponyms, 2022 (detail)]]
<span class="caption">Topònims de frontera (Border toponyms), 2022, mixed media on paper, 150 × 200 cm. </span>
Until the project _En frontera_, Marco Noris’s pictorial work was developed primarily within the confines of the studio, addressing exile and uprootedness from a position of distance. This project arises from the need for a direct experience, in which the journey does not pursue exclusively a pictorial outcome, but also the lived experience itself: making and being the border through prolonged walking, introspection, and the hardships of the route.
The project took place during the summer of 2017, along the **300 kilometres of the French–Spanish border in the province of Girona**, where the main routes of the Spanish Republican exile once passed. During the walk, the artist produced a drawing or an oil painting for each of the **198 border markers**[^1] along the boundary line. The traverse lasted **25 days**, during which he walked the Pyrenean line from **2,900 metres above sea level down to the coast**. The final result was a set of **212 postcard‑format works (12 × 17 cm)**: 82 oil paintings, 9 mixed‑media works, and 121 drawings.
![[../images/projects/en-frontera/2017-foto-enfrontera01.jpg|Muga 428]]{: style="width:800px; max-width:100%; margin: 0 auto" }
<span class="caption">Muga 428</span>
![[../images/projects/en-frontera/2017-foto-enfrontera02.jpg|Photo: Miquel Serrano Jiménez]]{: style="width:800px; max-width:100%; margin: 0 auto" }
<span class="caption">Photo: Miquel Serrano Jiménez </span>
En frontera is not conceived as a visual documentation of the border markers, but as an emotional recording of the surroundings, shaped by the geographical and environmental conditions of each moment. The practice of plein‑air painting was key to intensifying the relationship with the present and giving the project a strong experiential component. The works are not the goal of the journey, but the trace of an experience oriented toward inhabiting and embodying the border through an introspective route in contact with nature.
Painting each work as if it were a marker and walking **connecting points along the border**, balancing on that invisible line that splits in two what is one, meant **making the invisible visible**, unfolding a new landscape of memory.
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<span class="caption">The route was completed between 18 August and 11 September 2017: 300 km, 25 days, 198 border markers, 212 works. [Route and milestones \| Mapbox](https://api.mapbox.com/styles/v1/chewzer/cm34ka2kd00t401pqdurf5mcp.html?title=view&access_token=pk.eyJ1IjoiY2hld3plciIsImEiOiJjajhvOGdxcjgwMGhwMnFvM2NmNW5xM3RuIn0.X8okTnG1eWziGWfMxfP9Cg&zoomwheel=true&fresh=true#7.24/42.226/2.422)</span>
https://vimeo.com/252317059?fl=pl&fe=sh
## Credits
- **Project and production:** Marco Noris
- **Planning:** Amaranta Amati and Marco Noris
- **Logistics and mountain guide:** Amaranta Amati
- **Mentorship:** Alexandra Laudo
- **3D printing:** Patricio Rivera
- **Walkers:** Paula Bruna, Natalia Carminati, Núria Casas, Joana Cervià, Albert Coma, Claudia Godoy, Alexandra Laudo, Jordi Martinez‑Vilalta, Josep Rubio, Miquel Serrano, William Truini
- **Support and transport:** Kike Bela, Joana Cervià, Josep Rubio, Marc Ferrer‑Dalmau and Álex Nogueras, Roberto Noris and Ana Lorente
- **Special thanks** to Amaranta Amati, Alexandra Laudo and the entire Barcelona Producció jury; to Roberto and Ana, Joana Cervià and Josep Rubio, Kike Bela, Patricio Rivera, Álex Nogueras and Marc Ferrer‑Dalmau, Cayetano Martínez, [Eef Berns](https://www.grpdesbf.nl/), Miquel Serrano and Jordi Font at [MUME](http://www.museuexili.cat/).
- **Thanks also** to Josep Estruch and Montserrat Rectoret Blanch, Rebeca Arquero, Clara Garí and [El grand tour](http://www.elgrantour.net/), Marc Badia, Xavier Aguilò, Jordi Martinez‑Vilalta, Claudia Godoy, Natalia Carminati, William Truini, Nuria Casas, Paula Bruna, Albert Coma, Ferrán Latorre, Carmen Sánchez, Pere Llobera, Zuriñe Etxebarria, Jordi Pi and the [Club Excursionista de Gràcia](http://cegracia.cat/), [La Capella](http://lacapella.bcn.cat/), [Hangar.org](http://www.hangar.org/), [Piramidón.](http://www.piramidon.com/)
Project produced with the support of **BCN Producció 17**. La Capella, Institute of Culture of Barcelona.
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<img src="../images/logos/la-capella.png" alt="La Capella">
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In collaboration with:
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<img src="../images/logos/mume.png" alt="MUME. Museu Memorial de l'Exili">
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<img src="../images/logos/mojones-de-los-pirineos.png" alt="Mojones de los Pirineos">
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[^1]: In the project’s original language these border markers are called **mugas**. **Muga** (“boundary stone”) is a word of Basque origin used in the Catalan Pyrenees instead of _mojón_ (or _hito_, in Spanish) and _fita_ (in Catalan). Although it comes from Euskara, the term is also **recorded by the Royal Spanish Academy** and is used in Spanish with the same meaning: **“boundary or border between territories.”**
[[../../Fragmentarium/Muga|Here]] you can find an article written in Catalan by **Josep Estruch** for _On the Border_ about the **etymology of the word**.